AN EMBEZZLEMENT OF COPYWRITEN MATERIAL

Recent Up Dates to an Ongoing Battle of Deciet and Embezzlement of Sophia Stewart's copywritten work.

This is in response to the Wall Street Journal Article dated February 4^th 2010 titled - Terminator is Actually a Drama - attached for your review are Liens filed by Stewart pursuant to this matter. We are in possession of material evidence to break this story.California Judge Margaret M. Morrow has already received the following 1 Minute and 45 Seconds and the Articles of Incorporation that was hidden.When you see this brief discussion, you will see an example of what can happen to a person that has a correct legal position when artful techniques are used to mislead a federal judicial official. Notwithstanding the fact that the first minute and 45 seconds of the film read exactly on the copyright of the writer, and the person that claimed ownership of the remainder did not claim to own that portion of the film, and the matter was in evidence through her copyright and her opponent claimed to have started the company when she had no story on the same day she referred to in the film, May 12th, every aspect of the representatives for the defendants failed to disclose this matter to the federal judge in a proper context. Then the defendant used that material misrepresentation to achieve summary judgment under rule 56 which should have been impossible when the true creator had the first copyright and film dialogue that read on her work that the so-called owners did not claim in their copyright submission. This is a story that has intrigue, betrayal, misconduct, abuse of the legal system, and a curious inability to perceive the harm to the original creator, an African American writer.

This website has a clear presentation of facts that can not be denied. It is worth your review. - http://wwwthedivineoraclesophia.blogspot.com/

Please review all information carefully.

We look forward to communication regarding this matter.

In Reference to Cameron’s entertainment lawyer Burt field’s comments, “that all of the pictures that he [Cameron] created are totally his own, original work,” and that “He [Cameron] hasn’t taken anything from anybody, including her”, we respectfully submit the following: ______________ _______________

Best Regards,

§18 U.S.C. 4

Whoever, having knowledge of the actual commission of a felony cognizable by a court of the United States, conceals and does not as soon as possible make known the same to some judge or other person in civil or military authority under the United States, shall be fined under this title or imprisoned not more than three years, or both.

§18 U.S.C. 3

Whoever, knowing that an offense against the United States has been committed, receives, relieves, comforts or assists the offender in order to hinder or prevent his apprehension, trial or punishment, is an accessory after the fact.

1 MINUTE AND 45 SECONDS

HIDDEN IN PLAIN SIGHT

Part I: http://www.youtube.com/watch?v=NUY6E-ByYVs

Part II: http://www.youtube.com/watch?v=RLyJuMWttE4

Part III: http://www.youtube.com/watch?v=AH8viFxZLy4

-A Hovercraft of immense proportions enters the scene with the most advanced computer oriented laser guided weapons known to the post nuclear world.

-A man pops up from nowhere and begins to run as his friend hopes that he make it.

-Still, with precision, the computer generated robot focuses, aims, and disperses his atom relationships so as to mystify his very existence.

-Terminator open with a post nuclear darkened war scene canvassed by robots controlled through computer chips with laser-guided weapons in or about 2010 to 2030 A.D.

-What’s critical to understand here, is that this 1 minute and 45 second description of a nuclear war in Terminator do not appear anywhere in the script written by James Cameron and Gale Anne Hurd.

-Yet, the words and the “post nuclear war” comes verbatim from Sophia Stewart’s the Third Eye.

“The proposed science fiction film deals with Earth during the year 2110 A.D. By that time planet Earth had experienced horrible nuclear wars…” “The 22^nd Century will be a time in which Earth will have experienced many computerized nuclear wars, and for the first time in history, the people of earth will feel the ultimate nuclear war that will bring universal death.”

-The Third Eye Movie Treatment by Sophia Stewart

“This willful failure to disclose Stewart’s contribution makes Cameron’s and Hurd’s copyright registration invalid…for willfully failing to reveal that the substantial contributing author was omitted with the intent to deny her royalties in the project."

“The year 2110 A.D. brought many great changes on Earth. Mankind just finished experienced the last of the Atomic Age, when evolution of awareness began; and man was going from the unconscious stages of evolutionary development in to the conscious levels of it. There was no doubt earth would be destroyed.”

–Quotations from “The Third Eye” by Sophia Stewart

“Yet, on a reading of Stewart’s "Third Eye as copyrighted 81’, 83’ and 84’, it is undeniable that the first 1 minute and 45 seconds of Terminator came from that discussion and that it is totally excluded from the copyright submission of Cameron and Hurd to the Copyright Office.”

“He entered Earth’s atmosphere in a flash of brilliant light;”

“After the energy, he lies naked and still…”

–The Third Eye by Sophia Stewart

“The technique of taking the script and sending it through a “chop shop” so that many of its features are changed while unpublished and then bringing it forth as a published work is described as infringement in Dezendorf v. Twentieth Century Fox. Yet, it is plainly present in the movie. This is evidence that Gale Anne Hurd had consciousness of the wrongfulness of this activity and did not want it to be said that she wrote exactly what was written in Stewart’s treatment. [TXU 117-610 COPYRIGHT] The May 1, 1981 treatment is covered by copyright registration number Txu 117-610 in the name of Sophia Stewart. This is evidence of a theft of the script, knowing unauthorized use of it, and an intent to deny Stewart of her share of the profits associated therewith”.

“Kyle Reese: “What day is it? The date!”

Cop in Alley: “12th... May…”

Sophia Stewart completed the six-page treatment of the Third Eye on May 1, 1981. It was forwarded to the Vice President of Creative Affairs of Fox before May 7, 1981. Surprisingly, Gale Anne Hurd, then the public relations and marketing director of New World Productions under Roger Corman (who had never produced a film), started Pacific Western Productions on May 12, 1981.

“Kyle Reese: “What day is it? The date!”

Cop in Alley: “12th... May…”

- May 12, 1981-

Is it simply coincidence, that Gale Ann Hurd started Pacific Western Productions on the same day Kyle Reese began his search for Sarah Conner? Or, is this the M/O of an Embezzlement of copywritten material? Allegations of "criminal copyright infringement" must be evidenced by: “Access” “Copying” & “Substantial Similarity” to a protected literary work.In relation to Terminator; Ms. Sophia Stewart, former USC Film student, has evidenced all three.

As Recently as December 2009, Twenty-Two year old Samantha Tumpach was taping portions of her sister's surprise party at a local theater and accidentally captured some scenes of the film “New Moon” on her digital camcorder. Although Samantha insisted she was not trying to record the new release on purpose, she was arrested for “criminal use of a motion picture exhibition” - a criminal statue intended to curb piracy by deterring movie watchers from recording movies in theaters and selling “bootlegged” copies. Initially, Samantha faced up to three years in prison. Fortunately for Tumpach, she only spent two-days in jail following her arrest.

If Law Enforcement protects the rights of Billion dollar corporations, shouldn’t Law enforcement also protect the rights of citizens?

While young movie watchers are being jailed for accidentally capturing a few scenes of a film; the Stewart case is shining the light on white collar crime sweeping America. Stewart uncovered a white collar theft of her protected literary work, its embezzlement and how that was used as a means to conceal the crime and escape punishment.

What’s critical to remember, is that the 1:45 description of a nuclear war in Terminator do not appear anywhere in the script written by James Cameron and Gale Anne Hurd. No “post nuclear war” was revealed in any draft done by James Cameron including the draft from June of 1982. Without any “post nuclear war” revealed by Cameron’s scripts, why does a Terminator travel through time to kill Sarah Conner? And what does Kyle Reese have to protect Sarah Conner from? Nevertheless, the words, “nuclear war” and the element of “time travel” come verbatim from Sophia Stewart’s copywritten material - The Third Eye.

The act of trying to conceal unauthorized use of someone’s protected literary work, “hidden in plain sight” of a newly released film, is the weakest link in the chain of criminal copyright infringement. [Terminator & Reese] To be caught with copywritten “source material” that bears no resemblance to the film or movie it is based upon, is to catch a thief with a smoking gun. [James Cameron T2]

Once again, it’s for good reason that thieves don’t register stolen property without changing the appearance of what was stolen. These “changes” and “alterations” are premeditated measures used to escape detection and consequence. Likewise, this pattern of theft is consistent with child kidnappers who are known by law enforcement to shave the heads or otherwise “alter” the appearance of children they abduct. Nevertheless, a mother will always recognize her baby. [Stewart Quote]

“If someone steals your car and puts it through a chop shop, (where the crooks add or take away from it) trying to make it their own, is it still your car? Do you go out and buy another car to prove yours was stolen?” –Sophia Stewart, Legal Owner of the Matrix & the Terminator

AN EMBEZZLEMENT OF COPYWRITEN MATERIAL

Sophia Stewart’s former lawyers Are Part Of Fraud.

“HAD the evidence, hid it & did not submit it in the california COURTS”
What evidence?

-The “Terminator” & “Matrix” movies already in the attorney’s possession
-600 Pages of probative evidence
-*Constructive Trust Pacific Western Productions
(*The shell company that produced the 1:45sec [verbatim] out of Stewart’s 81 Third Eye Movie Treatment)
-*The articles of Incorporation with the Secretary State of California
-*The names of Attorneys who constructed the Trust
-Lubell’s Confession, Forged Admissions and other documents
-Perjury Affidavits of all the Defendants, Bruce Isaacs & John Shulaman
-Stewart’s copywritten Movie Treatment and manuscript (81, 83, & 84)
-“The Third Eye” book itself
What Pedigree lawyer on case worth BILLIONS of dollars is going to fumble routine legal tasks; such as submitting crucial evidence to win a case? Since when did lawyers cease the desire to make money? When did news become so one sided? Why is Sophia Story being “blacked-out” of the mainstream media? Why hasn’t Main Stream media Contacted Sophia Stewart to hear her side of the story? Madoff’s story did not get back yard coverage. Sophia Stewart’s story is the Bernie Madoff of Hollywood worth BILLIONS! Is the media paid off?
A band of corrupt Attorneys charged Sophia Stewart, Legal Owner of The Matrix & Terminator, $50,000.00 (U.S. dollars) only to sabotage her entire California civil case by withholding the submission of the most critical evidence. We know now why Sophia Stewart did not appear in California court: She was bared and gagged from doing depositions and appearances.
According to New York District Attorney Thomas Warnom, Bureau Chief, Special Prosecutions Bureau, Stewart’s former attorney Jonathan Lubell received “a sentence of One to Three Years in August of 2005”. Jonathan Lubell confessed to have forgered Stewart’s Admissions (among other documents), all by himself without anyone else's help. Not one of Sophia Stewart’s former lawyers had the integrity to inform Stewart of the fact that Jonathan Lubell was convicted and serving time, due to forgery and grand larceny, while working Stewart’s Billion dollar case. Jonathan Lubell’s confession & conviction is an Automatic Default judgment. Sophia Stewart has won both cases! Therefore, a convicted attorney Jonathan Lubell along with, Michael Stoller (indicted for fraud), Dean Webb (cited for rambling) and Gary Brown (indicted for fraud) represented a “cavalry of corruption” that rode in to sabotage Stewarts multi-Billion dollar Civil Case in California Courts. Again, since when did lawyers cease the desire to make money? Sophia paid her former lawyers $50,000.00 (U.S. dollars) to do their jobs as attorney’s & officers of the court, not “saboteurs” working as “the loyal opposition” behind their clients back.
If Sophia Stewart wasn’t telling the truth, there would be no reason for a “cavalry of corruption” to perpetrate over 30 counts of fraud & perjury. Judge Brooke C. Wells ruled that the 30 counts of Fraud and Perjury stand as of August 11th 2009. And as you know two sentences of fraud over turns & wins a case because a Judge can not aid & abet in a criminal scheme.
If you own something, you don’t need a “fake deed” because you have the real one.
Sophia Stewart has the real copyrights to the Matrix and the Terminator; therefore she is the legal owner.
Fraud is used to hide the truth, never to compliment it.

AFFIDAVIT OF SOPHIA STEWART IN SUPPORT OF OBJECTION

SOPHIA STEWART
P.O. Box 31725
Las Vegas, NV 89173

IN PROPRIA PERSONA
IN THE UNITED STATES FEDERAL DISTRICT COURT
CENTRAL DISTRICT, STATE OF UTAH
SOPHIA STEWART,
Plaintiff,
v.
MICHAEL T. STOLLER, JONATHAN LUBELL, DEAN WEBB, GARY BROWN and JOHN DOES I through X, individuals whose identities are not yet known,

Defendants.

AFFIDAVIT OF SOPHIA STEWART IN SUPPORT OF OBJECTION AND RESPONSE TO JONATHAN LUBELL, GARY BROWN, DEAN WEBB, AND MICHAEL STOLLER’S OBJECTION TO MOTIONS AND MEMORANDUMS FOR DEFAULT OF JUDGMENT AND MOTION TO STRIKE

Case No. 2:07cv00552
Magistrate John C. Wells

Sophia Stewart declares:
1.I have personal knowledge of the matters set-forth in this Affidavit.
2.The Plaintiff asserts that Defendants’ Lubell, Webb, Brown, and Stoller “Maliciously” in a “Premeditated Diabolical Fraudulent Scheme” operated in “Consort” to “Prepare” and “Submitted” a plethora of “Fraudulent Admissions” on my behalf to the California Federal court without my knowledge and thereafter willfully conspired to conceal the same to circumvent my “Inalienable Rights Of Ownership,” thus constituting “Intrinsic Fraud.” Stoller, Brown, Lubell, and Webb, as well as, Judge Morrow are Church of Scientologist lawyers and should have disclosed their “Conflict of Interests,” “Withdrawn as Counsel,” including “Recusal;” however, said parties chose to secretly conceal this information, as Defendants trampled on my Civil and Constitutional Rights. I did not “Prepare” or “Submit” any of the Fraudulent “Admissions” listed below into the U.S. District Court of California, Case No.: CV-03-2873 MMM (VBXx):
“PREPARATION OF FALSE AND FRAUDULENT EVIDENCE TO JUDICIARY / JUDICIAL LYNCHING”
“Stewart’s admissions establishes that: (1) no person at Fox was involved in any way in creating , writing, developing or producing Terminator 1, 2, and 3; (2) Stewart has no factual basis or evidence to support the allegation that Fox provided Cameron a copy” of the treatment or the 47 – page manuscript; (3) Stewart “ha[s] no factual basis or evidence to support the allegations that Fox provided Hurd a copy” of the treatment or the 47 page manuscript; (4) Stewart “ha[s] no factual basis or evidence to support the contention that Fox provided any person connected with” Terminator 1, 2, and 3 a copy of the treatment or the 47 page manuscript; (5) Cameron did not have access to the treatment or 47 page manuscript; (6) and Hurd did not have access to the treatment or the 47 page manuscript. (Pg. 14, Lines 1 – 7)
CONSPIRACY TO PREPARE FALSE EVIDENCE TO DEFRAUD BY INTERFERENCE WITH GOVERNMENT FUNCTIONS
“The admission establish that: (1) no one at Warner Bros. had access to the six page movie treatment or 47 page manuscript prior to creation of Matrix 1; (2) Larry Wachowski and Andy Wachowski did not place an advertisement soliciting works of science fiction in a national magazine; (3) Stewart never submitted the treatment or 47 page manuscript to Larry Wachowski, Andy Wachowski, Silver or Bloom; (4) Larry Wachowski and Andy Wachowski, Silver and Bloom did not have access to the six page movie treatment or the 47 page manuscript prior to the creation of Matrix 1, 2, 3; and (5) Larry and Andy Wachowski independently created Matrix 1, 2, and 3. Stewart also admitted that no one connected with Matrix 1, 2, and 3 had access to the treatment or the 47 page manuscript.” (Pg. 24, Lines 13-19 & Pg. 48, Lines 1 – 2, Judge Morrow Court Order)
CONSPIRACY TO PREPARE FRAUDULENT /FALSE EVIDENCE TO JUDICIARY & JUDICIAL LYNCHING
“Stewart has admitted that Terminator 1is neither striking nor substantially similar to “The Third Eye” that Terminator 2, is neither striking nor similar to “The Third Eye,” and that Terminator 3 is striking nor similar to “The Third Eye. Stewart has also admitted that the protectable expression in “The Third Eye” is not substantially similar to the protectable expression in any of Terminator 1, 2, and 3.” (Pg. 41, Lines 1 – 9, Judge Morrow Court Order)
“Stewart’s admission that the 47 page manuscript is not substantially similar or strikingly similar necessarily encompasses any similarities found in the synopsis .” (Pg. 42, lines 6-7, Judge Morrow Order); (Exh. T, Terminator DVD); (Exh. T2, Terminator II); (Exh. T3, Terminator (Exh. M, Matrix DVD); (Exh. M2, Matrix Reloaded,) (Exh. M3, The Matrix Revolution DVD); (Exh. Total Recall DVD)
“Stewart has also admitted that the protected expression in “The Third Eye” is not substantially similar to the protected expression in any of Terminator 1, 2, and 3. (Exhs. Pg. 41, lines 8 – 9, Order Dismissing Case.)
“Stewart admission that the 47 page manuscript is not substantially or strikingly similar necessarily encompassing any similarities found in the synopsis. Here admissions, therefore, establish that there are no striking similarities between the works. (Exh. Pg. 42, lines 5-8, Order Dismissing Case)
3.Attorney General of Florida brought forth “Indictments” against Michael T. Stoller who is the Owner of Mortgage Assistance Solutions llc, case no. L06-3-1014. [See: Los Angeles Bar Association Complaint number former “Government Federal Post Office worker” - Keith & Danielle Hardesty, 08014737 dated April 13, 2009 – Caused the Homelessness of a “Government Federal Post Office Worker” and his family with 8 children that are now all dispersed and living in a car in Pasadena and across different homes throughout the U.S..]; (http://www.mortgagefraudblog.com/index.php/weblog/permalink/idaho_bans_florida_foreclosure_rescue/);(Colannino v County of L.A., BC413089); (Exhs. 110, 111, Idaho Bans Florida Foreclosure Rescue, Michael T. Stoller) (Exhs. 114, 115) Enclosed herewith, you shall find further misconduct by Dean Browning Webb for a rambling lawsuit. (Exh. 116) Michael Stoller had 72 counts of Mortgage fraud, $2 million dollars in penalties and fees, and he is banned from practicing law in Texas, Florida, and Illinois. The attorney general of Illinoise Lisa Madigan brought indictments against Stoller.
The Conversion of “The Third Eye” into the “The Terminator”
4.I wrote a treatment for a motion picture regarding a post nuclear war fight between man and machine conscious organisms without feelings or empathy and completed it on May 1, 1981. Upon completion of the treatment, I sent the document to the Vice President of Creative Affairs of Twentieth Century Fox, Susan Merzbach before May 6, 1981. On May 12, 1981, just days after it was submitted, Corman’s public relations and marketing assistant, Gale Ann Hurd, a graduate of Stanford University, started Pacific Western Productions, Inc. in California.
5.The only story that was worked on by Pacific Western Productions from May of 1981 through October of 1984 had to do with a post nuclear war fight between man and machines appearing to be as men called cyborgs. Through Fox, New World Productions had access. Through New World Productions, Pacific Western Productions, Inc. had access to my treatment called the “Third Eye”.
6.By virtue of “Access,” the aspect of The Terminator and Matrix that are substantially similar to my copy written work of The Third Eye is the first minute and 45 seconds of the first film produced by Pacific Western Productions, Inc. It began with video dialogue that reads on my screen treatment, The Third Eye, but appears nowhere in the screenplays of James Cameron from July of 1982 through February 3, 1984 when its written version was registered under Pau-584-564.
7.This significant evidence in the screenplay is extraordinarily significant since that it is the first section of film footage produced by Pacific Western Productions.
The police officer answered Kyle Reese
"What day is it?"
“May 12th."
8.It is the day when the Terminator sought to take out Sarah Connor in the film. It is the actual day when Gale Anne Hurd set out to take out all of my intellectual property rights so that their production group would not experience the theater prejudice that had been previously experienced by Roger Corman of New World Productions, Inc. when he made "The Intruder", a film about racial desegregation in the sixties.
9.Racial discrimination by concerted action is a federal offense under 18 U.S.C. 241. The failure to disclose a true Author on a copyright registration is a violation of 17 U.S.C. 201, 18 U.S.C. 1001, and 17 U.S.C. 506. The combination and conspiracy against trade by prior anyone is a federal “Antitrust crime” under 15 U.S.C. 1. You can not overcome a criminal act by taking the copyright of an African American and then trying to impose the Dred Scott decision on me as if I was a pre-civl war slave who had no rights that a White was bound to respect. Dred Scott v. Sanford has been a nullity in the United States at least since the 1868 adoption of the Fourteenth Amendment that gave such persons citizenship. The willful deprivation of my copyright rights is an offense under 18 U.S.C. 241 and 18 U.S.C. 1001.
10.When my work was commercially sold without recognizing my authorship or entitlement to share in the revenue, James Cameron, Gale Ann Hurd, and Hemdale Films, Pacific Western Productions, Carolco Pictures, Mario F. Kassar, Andrew G. Vajna, Andy Wachowski, Larry Wachowski, and Fox, Inc. knowingly and willfully engaged in copyright infringement within the meaning of 17 U.S.C. 506. The first minute and 45 seconds of the film entitled the "Terminator" actually comes from my May 1, 1981, copy written treatment that was sent to Fox between May 1, 1981 and May 7, 1981. Gale Hurd through Roger Corman of New World Productions, Inc. commenced her company on May 12, 1981 to terminate my intellectual property rights. Substantial similarity is supported under 17 U.S.C. 106, 17 U.S.C. 501, 17 U.S.C. 506, and 18 U.S.C. 1001.
Access and Substantial Similarity Automatically Support a Finding of Infringement
11.In Dezendorf v. Twentieth Century Fox, the court held that the theft of an unpublished work that is then placed in a final commercial work of another without the consent of the prior author is evidence of infringement.
12.The authorship for the registration dated February 3, 1984 under the names of James Cameron and Gale Hurd is a false statement in that they willfully failed to disclose my contribution being the sole author of “The Third Eye,” of which, makes me the only “Author” of “The Terminator” and the “Matrix” movies and sole Owner of the Copyrights.
13.Yes, it is true that neither James Cameron nor Gale Anne Hurd represented in the screenplay registered with the Writer’s Guild in July of 1982 or the final draft submitted to the copyright office in February of 1984 that they authored the language that describes the visual dialogue shown in the first minute and 45 seconds. This visual dialogue shown in the first 1 minute and 45 seconds is hidden in plain sight. If you do not compare the movies with my work, then you would have missed this significant issue. This primary issue would have won me the California judgment. This is the reason why the Defendants operated in consort to obstruct the six films of the “Terminator,” “Matrix,” and six page movie treatment “The Third Eye” from being entered into court evidence. This description is evidence of the intent of the parties to engage in willful copyright infringement within the meaning of 17 U.S.C. 506 (e).
EXT. School yard – Night 2
14.Frame comes to rest on the figure of a naked man kneeling, faced away, in the previously empty yard. He stands slowly. This man is in his late thirties, tall and powerfully built, moving with graceful precision. The first minute and 45 seconds of the film includes visual dialogue that is not written into the first, second, third, fourth, or fifth draft of the screenplay. Actual depiction of the introduction of the Terminator Film does not include the cat, the war scene, or the statement overlay.
15.On April 29, 2005, Motion for Summary Judgment submitted to the Court by Bruce Isaacs, Legal Counsel of the Defendants in the California Court, Case No. CV-03-2873 MMM (VBKx), he did not disclose to the court, nor did Lubell, Webb, Brown, and Stoller disclose the following facts:
1) that the first minute and 45 seconds of the film does not read on the screenplay by Cameron and Hurd;
2) that the first minute and 45 seconds of the film does read on the treatment by Sophia Stewart dated May 1, 1981;
3) that the May 1, 1981 treatment was sent to Fox before May 7, 1981;
4) that the May 1, 1981 treatment was transferred from Fox to Roger Corman of New World Pictures prior to May 9, 1981;
5) that Gale Hurd, Corman's assistant, started Pacific Western Productions on May 12, 1981 while James Cameron was in Italy and did not know about the May 1, 1981 treatment;
6) Cameron was required to play along with Hurd to get the opportunity to write and direct the project based upon Stewart's work product.
7) that the first minute and 45 seconds of the Terminator and Matrix movie introductions reads verbatim upon my treatment The Third Eye, including the characters are conclusive with investigative findings of the FBI.
15. The Defendants knowingly and willfully failed in their legal responsibilities to timely file “Default of Judgment” against Andy and Larry Wachowski, because the Wachowskis never responded to the Summons, and the First Amended Complaint. (Exhs. 215, 216)

16. Dean Webb “Sexually Harassed” me with numerous phone calls. Webb contacted me at “Wee-Hours” of the night inappropriately using explicit “Sexual language.” Right after Judge Morrow’s ruling of the dismissal of the RICO claims without prejudice with leave to amend, Dean Webb immediately abandoned the case after he sabotaged it, and I did not receive any more phone calls:
Dean Webb:
“Here is my picture, taken around 4:00 p.m., this afternoon by my brother Rob=rt. I told you I needed my hair cut, and I “Wetted down my hair” (“Emphasis Added”) and “Pulled off my Glasses!” “Hope your not disappointed.” (“Emphasis Added”) “Next time I'll wear a suit and tie!” (“Emphasis Added”); (Exhs. 217, 218)
17. In light of “Demeaning and Derogatory” comments by Dean Webb, Michael Stoller, Gary Brown, and Jonathan Lubell it would be a “Gross Miscarriage of Justice” for the Court to allow the Defendants to further “Impugn the Integrity of the Court” through willful acts of “Perjury,” “Slander, “Libel,” and “Retaliation.” These are the reasons why, I should be granted Default of Judgment.
PRAYER FOR JUDGMENT
18. WHEREFORE, Plaintiff prays for judgment against Defendants, and each and everyone of them, jointly and severally as follows:
1)Compensatory Damages
2)Recovery of Reasonable Attorney Fees and Costs arising
3)Punitive Damages
4)For such further and other relief as the court deems just and proper
I declare under the penalty of perjury that all of the forgoing is true and correct to the best of my knowledge and belief.









DATED this__13___ day of July, 2009

Submitted,



_____________________________ SOPHIA STEWART


STATE OF _____________ )
):ss
COUNTY OF ___________ )

On the _______ day of Affidavit, July 2009, personally appeared before me Sophia Stewart, the signer of the foregoing Affidavit, who duly acknowledged that he executed the same.
_____________________________
Notary Public
My Commission Expires: _________


CERTICATE OF MAILING
I hereby certify that on this __13____ day of July 2009, I caused to be mailed via first class U.S. mail, postage pre-paid, a true and correct copy of the foregoing S. Stewart Objection & Response + Memorandum in Support + Declaration in Support of Objection + Exhs. A, B, T, T2, T3, M, M2, M3, M4, 135, 136, 137, 138, 139, 140, 141, 145, 146, 147, 148, 149, 150, 151, 152, 153, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 175, 176, 177, 180, 181, 190, 191, 194, 197, 200, 201 , 205, 206, 215, 216, 217, 218, 225, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243 to the following:

Jonathan Lubell
1325 6th Ave.
28th Floor
N.Y., New York 10019
212-763-8550

__X__U.S. Mail
_____Facsimile
_____Electronic Transmission
_____Hand-delivery
_____Other

Michael Stroller
Attorney at Law
9454 Wilshire Boulevard, Suite 500
Beverly Hills, California 90212


__X__U.S. Mail
_____Facsimile
__X__Electronic Transmission
_____Hand-delivery
_____Other

Gary Brown
One Fair Oaks Avenue, Suite 301
Pasadena, California 91105


__X__U.S. Mail
_____Facsimile
_____Electronic Transmission
_____Hand-delivery
_____Other

Kathleen Liuzzi
DUNN & DUNN, PC
505 East 200 South 2nd Floor
Salt Lake City, Utah 84102

__X__U.S. Mail
_____Facsimile
__X__Electronic Transmission
_____Hand-delivery
_____Other
c/o Court Clerk
United States District Court,
District of Utah.
350 South Main Street, Room 150,
Salt Lake City, UT 84101.
(1 Original & 2 Copies)

__X__U.S. Mail
_____Facsimile
_____Electronic Transmission
_____Hand-delivery
_____Other
I declare under the penalty of perjury under the laws of the State of Utah that the above is true and correct.
Respectfully Submitted,



Sophia Stewart

Special Fraud Agents"IRS"

March 31, 2009



Special Fraud Agents
Internal Revenue Service
Fresno, CA 93888

Re: James Cameron T-Salvation Productions, LLC
Gale Ann Hurd T-Salvation Distribution, LLC
Andy Wachowski T Asset Acquisition Company
Larry Wachowski T-Salvation Distribution (BVI)
Derek Anderson Halcyon Holding Group
Victor Kubicek The Halcyon Company
Hemdale Films Halcyon Consumer Products
Carolco Films Dominon Group
Pacific Western Productions Inc.

Dear Special Fraud Investigators:

How many times will the IRS allow the above parties to set-up dummy companies with off shore accounts involving the Terminator & Matrix Franchises that are designed to evade taxes by reporting a loss, when in actuality the above wealthy perpetrators have filed bankruptcy and /or are in violation with the IRS. They committed fraud and tax evasion.

Fox shareholders lost $3.5 billion dollars as a proximate result of Corporate Espionage by former fox executives. In, 2007, a lawsuit was filed against Anderson and Kubicek in the United States Court for the Central District of California (CIMEX investments, et al. v. Dereck Anderson, Victor Kubicek, USDC 07-00386) seeking return of a $250,000 loan made by motion picture investors to Anderson and Kubicek for the purpose of obtaining a script option and production feasibility study for “Conspirator”. According to the allegations of the lawsuit, the money was not used for this intended purpose but rather was misappropriated by Anderson and Kubicek.

According to Moritz Borman vs. Derek Anderson, and Victor Kubicek, Case No. SC102043, on Number 4, “it also was revealed that Anderson and Kubicek had deliberately concealed from Borman their history of misrepresenting their industry qualifications and DEFRAUDING INVESTORS in their prior motion picture PROJECTS in order to fraudulently procure the OWNERSHIP of the underlying franchise rights, including the rights to the Picture, distribution rights and financing for the Picture…”

According to Mr. Borman, line Number 17, there is a “Commingling of monies and failure to adhere to corporate formalities, such that any individuality and separateness among them has ceased, and they are alter egos of each other. Mr. Borman allege, “that it was the intent of Anderson and Kubicek to set up the fraudulent scheme of companies named as Defendants herein in order to defraud individuals and creditors and transfer various assets to the different corporate entities. In addition, Mr. Borman allege that the entities are mere shells or shams without capital or assets, are financially insolvent, and were conceived, intended, and used by Anderson and Kubicek as devices to AVOID individual liability and are so inadequately capitalized that their respective capitalization was illusory. Adherence to the fiction of the separate existence of T – Salvation Productions, LLC, T-Salvation Distribution, LLC, T Asset Acquisition Company, LLC, T-Salvation Distribution (BVI) LTD., Halcyon Holding Group, LLC, Halcyon Consumer Products, LLC and Dominon Group, LLC as entities distinct from Anderson and Kubicek would promote injustice and fraud. (Tax Evasion)(Also see Enron)

According to Mr. Borman on line 57, that “Anderson and Kubicek were sued in United States District Court in the Central District of California (CIMEX Investments, et. Al. v. Derek Anderson and Victor Kubicek, USDC 07-00386) for swindling motion picture investors out of at least $250,000.00.”

In addition, Bruce Isaac contrived a malpractice lawsuit so that the insurance company would pay their legal fees. Therefore they committed fraud with the insurance company. Should you have further questions regarding these matters, please contact me.

Sincerely,



Sophia Stewart
P.O. BOX 31725
LAS VEGAS, NV 89173




SS/dh

cc: President Barack Obama, FAX:
Sen. John Whitmire, Chairman of the Senate’s Criminal Justice Comm., 512-475-2015
Eric Holder, Assistant Attorney General, 202-307-6777(F)
Steve Cooley, Dist. Attorney, (213) 974-1484 (F)
Valerie Caproni, General Counsel, F.B.I. 202-324-5366 (F)
Steve Mangel, International Film Guarantors, Fax: (310) 309-5696
Kurt Benjamin, Pacificor, LLC, info@pacificor.com
Michael Klein, Pacificor, LLC , info@pacificor.com
Charles (Chuck) Kavitsky, Fireman's Fund Insurance Companies, 415.899.3600

The Matrix ! and Its Revelations........Look Inside!

One of the most popular and thought-provoking
movies of all time was and still is the Matrix.
Viewers all over the world were
captivated by the film's primary message: People get into
deep trouble when they mistake what they perceive for
reality. What most viewers do not realize is that prior to
the release of this groundbreaking film, western
intelligence agencies were already using the term "the
Matrix" to describe today's world. This was in contrast to
their work with remote viewers, who would "escape the
matrix" to gather intelligence. Art truly does imitate life.

In the movie, the Matrix is an elaborate Artificial
Intelligence computer simulation that's so captivating that
people mistake it for reality. People perceive they are
walking about and interacting with others, but their
physical bodies are actually submerged in fluid-filled pods,
"plugged into" the Matrix, while their vital life force is
harnessed to power the Matrix.

After Neo (Keanu Reaves) learns the truth, with the help of
Morpheus's (Lawrence Fishburne) training, he is able to
overcome his misconception that the Matrix is reality. Neo
rebels against the machines that create his false reality
and, eventually, he escapes the limitations of the Matrix.
To others, he has developed superhuman abilities, but, "in
reality," he has merely recognized the truth.

Escaping the Matrix is a metaphor for the mystic path to
enlightenment.

The Matrix can be defined as the world that we perceive,
which includes the physical world, as well as higher planes
of emotions and thoughts, which also affect us.

Within the Matrix, are countless fear-based thoughts and
emotions that condition us to accept limitations. We are
taught that we have little power, and what little power we
do have, we are advised to delegate to authority figures and
experts.

Swimming in a sea of negative thoughts, we are prompted to
use our creative ability to imagine even more negative
thoughts. Without introspection, the Matrix gets darker and
more dense.

Anyone who blindly accepts these prevalent, negative
thoughts will have his or her life path dictated by the
Matrix.

But those who recognize that it is our collective thoughts
and beliefs that power the Matrix will recognize the way
out.

When we incarnate on earth, we temporarily forget the higher
truth of who we are. Our life mission is to remember, to
connect with our innermost self, so that we may transcend
the Matrix.

The reality we perceive with our senses is not the true
reality, but merely a small portion of reality, masquerading
as the whole. But, unlike the "alternate reality" that Neo
must extricate himself from, in our "reality," there is no
need to rebel. Rather, our goal should be to transcend. We
want to "be in this world, but not of it."

The outer world is a reflection of our inner thoughts and
beliefs, whether individual or collective, which have been
conditioned by our experience in the Matrix. Consequently,
the Matrix is a learning environment, where we get feedback
on how our thoughts manifest. Thankfully, our negative
thoughts do not (typically) manifest instantaneously.
Otherwise, we would risk the spontaneous destruction of our
world by thinking negative thoughts.

Clearing yourself of negative energies through daily
meditation can provide a direct link to the "ultimate
reality," i.e., the pure consciousness residing within each
of us.

As your negative beliefs are purified through regular
contact with the "light" of your divine nature, unhealthy
emotions, such as fear and anger, will naturally begin to
diminish, and you'll be free to transcend to higher states
of consciousness. You will "download" more of your own true
self, while simultaneously and automatically attracting
others of similar vibration.

Your world will become more synchronistic. You will repel
angry, fearful people, and those who stick around will
become calmer and more centered. You will radiate love. By
simply being in higher consciousness, you will have a
greater effect on the world than the most gifted orators and
political leaders.

The higher your consciousness and energy are vibrating, the
faster your thoughts will manifest. When you align with your
innermost self, you are aligned more closely with the Source
of all creation. At the apex of your individual
consciousness, you are connected with The One. You then have
at your disposal the entire universe to help you manifest
the highest good for all.

In actuality, we are single points of awareness in the
Oneness that is Reality. What we interpret as the physical
world is the projection of this awareness, which is taking
place in the Mind of God. We are, as Shakespeare pointed
out, merely "actors" in a divine play.

When we wake up to this knowledge, the play does not stop.
We are free to act or interact, in bliss and peace,
unattached to the Matrix. We have within us the power to
create "heaven on earth."

The Mother of ‘The Matrix?'

By Masha Savitz
Epoch Times Staff

Why did Laurence Fishburne of “The Matrix,” say on air on a WBLS morning show a few years back, that he wanted to meet Sophia Stewart, whom some refer to as the “Mother of The Matrix?” What is it about Stewart and her claims to authorship of the visionary blockbuster that makes her so compelling?

The story, like “The Matrix” itself, continues to challenge reality—blending fiction with truth like a silver spoon on a trip down the rabbit hole of legal battles—the stuff movies are made of.

“Well, he got his wish,” says Stewart of Fishburne, “in 2006, when we both did the red carpet at the Palms Casino for CineVegas Magazine. He was flirting with me and I enjoyed it,” she admitted, listing just a few of her celebrity fan base.

“Wesley Snipes took me out to dinner. Diddy met me, Jesse Jackson invited me to his private birthday party in Beverly Hills, and Hammer showed me great honor by telling everyone he knew who I was and why it was important to meet me.”

The Claim

Stewart claims authorship of “The Matrix” based on her original and copyrighted work “The Third Eye.” In a court in Utah, where Stewart resides, Judge Dale Kimball has ascertained one thing—Stewart never had a fair trial when she originally took this case to court in 2004 in the state of California following an aborted settlement, according to Stewart.

It was concluded that the original case against Andy Wichowski, Larry Wichowski, Thia Bloom, Twentieth Century-Fox Film Co., Warner Bros. Entertainment Inc., and Joel Silver resulted in a fraudulent judgment obtained by her original attorneys who deliberately concealed all forms of evidence, deposition requests, and conspired to violate her civil rights to a fair trial. The case was therefore sabotaged when Stewart unknowingly failed to appear in a California court. This could result in future criminal charges against the attorneys.

According to the FBI’s investigation, explained Stewart, “The Terminator” was also derived from “The Third Eye,” bringing the total sum that Warner Brothers and Fox made up to an estimated $8 billion for both trilogies from combined sales of merchandise, games, and DVDs. With so much at stake, Warner Bros. and Fox have a lot to lose.

Judge Kimball rendered an opinion on August 28 this year, finding all four seasoned attorneys liable for malpractice, conspiracy, and fraud. The FBI told Stewart that any form of fraud committed in the original case automatically constitutes a new trial. At the same time, Stewart has filed complaints with three different Bar Associations alleging a newly coined term, “Industrial Copyright Infringement Espionage.” This process will reopen the case for a new trial.

Stewart, who holds a bachelors degree from the City University of New York in journalism with a minor in law and psychology, and who later studied writing, spoke with me at length in September in a persuasive and intriguing conversation. We talked about the first trial, her inspiration for “The Third Eye,” and the unusual event that precipitated it all.

The Inspiration for Her Writings

The personal story of Stewart’s “The Third Eye” and the gifts it yielded was most fascinating to me. According to Stewart, her third eye (referred to in Eastern religions as being located between the eyebrows leading directly to the pineal gland in the brain and thought to enable powers of higher cognition) opened at 3-years-old when her older brother accidentally shot her with a bow and arrow, piercing her skin squarely between her eyebrows. She said this resulted in this long-known spiritual phenomenon.

It wasn’t until years later that she read that Tibetan Buddhists do this intentionally after years of rigorous training in spiritual mastery. This supernormal ability—which purportedly allows one to see into other dimensions and access information such as various time-spaces, retrocognition, and precognition—supports certain motifs, themes, and images found in “The Matrix.”

The Oracle, a pivotal character in “The Matrix,” Stewart points out for example, was modeled after herself, an African-American woman who has visions and expansive spiritual consciousness. The elements of numbers and codes prevalent in the film can also be linked to Stewart’s unusual skills in mathematics. “I did taxes when I was 11 years old. I got paid to do adult’s taxes,” she says.

“I have the ability to separate and actually go in my astral body,” says Stewart. The aspect of the storyline from “The Matrix” that she refers to as “how the people would be able to be on the ship and their spirit bodies are fighting somewhere else,” was based on a technique she describes as “separating.” She says, “That’s how the virtual figures were created.”

“I am so well versed in history and knowledge of ancient history and people,” Stewart remarks that many wonder how she knows what she does. “I can’t explain to you, I just know this stuff. It was like I was there witnessing history when it was being made, so I have intimate details of it. It goes beyond any books or reading of it.”

Stewart says that these abilities used to be commonplace for everyone but have since atrophied, though hers are intact. “People started to forget and not believe; that’s basically how they failed because they didn’t have faith anymore.”

“When we trusted in the Father,” continued Stewart, “we had these gifts from Heaven.” Later she adds, “Man started to lie and said that God didn’t exist and took other people away in their beliefs of God.”

Asked how she would describe the theme of “The Matrix,” Stewart referred to the Bible, sighting Revelations and the second coming of Christ. Matrix is the Latin word for womb, and the text reveals that Christ has to come through the womb.

“Machines dominate, then humans are kept in la-la land, keeping them in ignorance, keeping them in fear and bondage. They will never, never go though evolution to evolve spiritually into their fourth dimensional body. They will keep coming back over and over again stopped by ignorance instead of enlightening.”

Next for Stewart, “I’m a writer” she says, and is eager to make the already written prequels to “The Matrix” called “When Gods Walked the Earth” and “Soulless.”

While I am listening to Stewart, she not only seems to be The Oracle, but now embodies Neo as well, battling a daunting system for her truth as a victim of plagiarism to be revealed.